DZOFILM Pavo 55mm T2.1 Lens - PL + EF Mount

The primary benefit is achieving a wide 2.39:1 aspect ratio with characteristic "waterfall" bokeh and horizontal lens flares, creating a distinct cinematic look not possible with standard spherical lenses.

A T2.1 aperture allows for more light to enter the lens, improving performance in low-light conditions and enabling a shallower depth of field for creative background blur.

Yes, the lens can be adapted to full-frame cameras using the optional DZOFILM Marlin 1.6x Expander, which helps achieve a wider field of view.

The footage captured by the Pavo 55mm lens will appear "squeezed" (wider horizontally than it is tall). You will need to "de-squeeze" it in post-production software or during playback to achieve the intended 2.39:1 widescreen aspect ratio.

You can expect oval-shaped bokeh, which is a signature characteristic of anamorphic lenses, along with unique "waterfall" bokeh effects, particularly noticeable in out-of-focus highlights.

Yes, the lens features an all-metal construction, designed for durability and reliability in demanding production environments.

The lens has a close focus distance of 0.6 meters (approximately 2 feet), allowing for detailed close-up shots with the anamorphic effect.

This is normal for anamorphic lenses. The image needs to be "de-squeezed" in post-production or by your viewing software to achieve the correct 2.39:1 aspect ratio.

Ensure the lens is fully seated on the camera mount. Check that focus rings are set correctly and that the subject is within the lens's focus range. Clean lens elements if smudged.

While controlled flaring is a characteristic of anamorphic lenses, excessive ghosting can occur with strong light sources directly in front of the lens. Use a lens hood or flag to block direct light, or consider repositioning your light source.

While the Pavo series minimizes breathing, some degree may be present. Plan your focus pulls carefully during filming or be prepared to stabilize footage in post-production if breathing is distracting.