DZOFilm Pavo 32mm T2.1 Lens - Blue Coating

The Pavo 2x anamorphic cinema lenses are designed for filmmakers who want to create videos in wide...

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Wex Photo VideoDZOFILM Pavo 32mm T2.1 Anamorphic Lens - Medium - Blue
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Product Information

Full details

The DZOFilm Pavo 32mm T2.1 Anamorphic Lens is designed for filmmakers seeking to achieve a distinct widescreen cinematic look with a 2x anamorphic magnification and a T2.1 maximum aperture. Its primary benefit is the creation of a dramatic 2.39:1 aspect ratio with characteristic oval bokeh and horizontal flares, enhancing visual storytelling. A potential caveat is the specialized nature of anamorphic lenses, which requires specific post-production workflows for de-squeezing.

All features

BrandDZOFilm

Extended Product Information

FAQs

What is the primary advantage of using a 2x anamorphic lens?

The primary advantage is achieving a wider, cinematic aspect ratio (2.39:1) with a distinctive oval bokeh and horizontal flares, which provides a more immersive viewing experience compared to standard spherical lenses.

How do I achieve the anamorphic look in post-production?

You will need to 'de-squeeze' the footage in your video editing software. This involves adjusting the aspect ratio settings to correct the horizontal compression and reveal the intended widescreen image.

Can this lens be used for macro photography?

Yes, the lens has an impressive close focus distance of 0.4m, allowing for detailed macro shots while still retaining the 2x anamorphic characteristics.

What is the significance of the T2.1 aperture?

The T2.1 maximum aperture means the lens is relatively fast, allowing for better performance in low-light conditions and enabling the creation of a shallow depth of field for subject isolation.

How does the 16-blade aperture contribute to the image?

The 16-blade aperture is designed to create the characteristic oval-shaped bokeh and smooth background blur that are hallmarks of anamorphic lenses, adding an artistic and cinematic quality to the image.

Does the blue flare affect the color rendition of the rest of the image?

The blue horizontal flare is a specific optical effect. The lens's advanced optical design ensures precise control over chromatic aberration and distortion, aiming for vibrant and natural color rendition across the entire image.

Is this lens compatible with full-frame cameras?

The PAVO series lenses can be adapted to full-frame cinema cameras using the Marlin 1.6x Expander, broadening their compatibility.

Troubleshooting

Lens will not mount to camera

Ensure the lens mount type matches your camera's mount. Check for any obstructions or debris on the camera mount or lens mount and clean if necessary.

Image appears soft or out of focus

Perform a back-focus adjustment while the lens is mounted on the camera. Ensure you are focusing on a subject at the appropriate distance for your chosen aperture and focal setting. Clean the lens elements if they are dirty.

Excessive lens breathing during focus pulls

While the lens is designed to minimize breathing, some effect may be present. Practice smooth focus pulling techniques. For critical shots, consider pre-focusing or using an external focus puller.

Flares are too intense or distracting

Experiment with lighting angles and subject placement to control the intensity and direction of the horizontal flares. In post-production, flares can sometimes be subtly adjusted or masked.

Pros and Cons

Pros

  • Achieves a true 2x anamorphic look with dramatic widescreen aspect ratio.
  • Excellent low-light performance with a T2.1 aperture.
  • Unique 'waterfall' bokeh and distinct blue horizontal flares add artistic flair.
  • Impressive close-focus capability for detailed macro anamorphic shots.
  • Durable construction suitable for professional production environments.
  • Compatible with gimbals, Steadicams, and drones for versatile shooting.

Cons

  • Requires de-squeezing in post-production, adding a step to the workflow.
  • The blue flare might not suit all film genres or desired aesthetics.
  • Anamorphic lenses can have unique distortion characteristics that need mastering.
  • Weight (2.81 lb) may be a consideration for lightweight setups.
  • The 32mm focal length is specific and may require additional focal lengths for varied shots.

Setup, Compatibility & Care

Setup:

Mount the DZOFilm Pavo 32mm T2.1 lens directly onto cameras with compatible mounts (e.g., PL, EF - check specific camera compatibility). Utilize the built-in back-focus adjustment for precise calibration by adjusting the lens while mounted on the camera until the image is sharp at infinity.

Compatibility:

This lens is designed for cinema cameras. It is compatible with gimbals, Steadicams, and drones. For full-frame cameras, the Marlin 1.6x Expander can be used to broaden compatibility.

Care:

Keep the lens elements clean using a blower to remove dust and a lens cleaning cloth with a suitable lens cleaning solution for smudges. Store the lens in its protective case when not in use. Avoid exposing the lens to extreme temperatures or humidity. Periodically check that all mounting screws and rings are secure.

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