DZOFilm VESPID 125mm T2.1 Lens - PL Mount

The DZOFilm Vespid Prime 125mm T2.1 lens is engineered for high-quality full-frame cinematography,...

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DZOFILM Vespid 125mm T2.1 Cine Prime Lens Small PL Mount

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Wex Photo VideoDZOFILM Vespid 125mm T2.1 Cine Prime Lens Small PL Mount

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Product Information

Full details

The DZOFilm VESPID 125mm T2.1 lens is designed for professional cinematographers and serious filmmakers who require a high-performance full-frame prime lens that balances modern sharpness with a classic, organic aesthetic. It offers exceptional APO correction for minimal chromatic aberration and beautiful bokeh, making it ideal for high-end production workflows; however, users should note that as a manual focus lens, it requires precise operation and is not suitable for autofocus-dependent environments.

All features

Brand	Shenzhen Optical Technology

Extended Product Information

FAQs

Does this lens have built-in image stabilization?

No, the DZOFilm VESPID 125mm is a purely manual cinema prime lens and does not contain internal optical stabilization.

Can I use this lens on a mirrorless camera?

Yes, but you will need a third-party PL mount adapter specifically designed for your camera's mount system (e.g., PL-to-E for Sony cameras).

Is the aperture click-less?

Yes, this lens features a smooth, stepless aperture ring specifically designed for cinema applications to allow for seamless exposure transitions.

What is the front filter thread size?

The lens features a 77mm filter thread, allowing you to attach standard circular filters directly to the front element.

Are the focus and iris gears in the same place as other VESPID lenses?

Yes, the VESPID series is designed with consistent gear positions to ensure you do not need to move your follow focus motor when switching between lenses in the set.

Troubleshooting

Difficulty mounting to the camera

Ensure the PL mount locking ring on your camera is fully retracted and that the lens alignment pin is seated correctly in the mount slot.

Focus ring feels stiff or uneven

Verify that no debris is trapped in the focus gear teeth and ensure your follow focus drive gear is not pressed too tightly against the lens housing.

Chromatic aberration visible in high contrast scenes

While the lens is APO corrected, check that your filters (like ND or UV) are of high optical quality, as cheap filters often introduce color artifacts.

Pros and Cons

Pros

Excellent sharpness with minimal color fringing due to APO design
Compact and lightweight build suitable for gimbals and drones
Consistent gear positioning makes for fast lens swaps on set
Large 270-degree focus rotation for professional focus pulling
Organic, natural-looking bokeh quality

Cons

Manual focus only, which may not suit fast-paced solo run-and-gun shoots
Requires professional cinema-grade follow focus systems for best results
Fixed T2.1 aperture limits exposure adjustments compared to zoom lenses

Setup, Compatibility & Care

Setup and Compatibility:

This lens arrives with a PL mount, making it compatible with most industry-standard cinema cameras. For use with mirrorless systems, you may require a PL-to-E, PL-to-RF, or PL-to-L adapter. The 80mm front diameter allows for the easy attachment of matte boxes and standard cinema rod systems.

Care Instructions:

Storage: Always store the lens in a dry, dust-free environment with both front and rear caps securely attached.
Cleaning: Use a high-quality lens blower to remove dust particles before gently wiping the glass with a clean microfiber cloth. Avoid using abrasive fluids.
Transportation: Given the precision optics, transport the lens in a padded, shock-resistant case to prevent misalignment during travel.