Rode NTR Ribbon Microphone

The Rode NTR features active electronics that benefit from, but do not strictly require, phantom power to operate. If your preamp provides phantom power, it will be used to power the internal active electronics for optimal performance. If phantom power is not available, the microphone will still function, albeit with a lower output level.

The NTR is designed with a highly sensitive 1.8-micron ribbon element, allowing it to capture subtle details and nuances in sound with exceptional accuracy across its 20Hz to 20kHz frequency response.

No, the Rode NTR comes with an integrated shock mounting system that is highly effective at isolating the microphone from vibrations and handling noise, eliminating the need for an external shock mount.

The Rode NTR features a Figure-8 polar pattern. This means it picks up sound equally from the front and rear of the microphone, while rejecting sound from the sides (null points).

Yes, the Rode NTR has a Max SPL rating of 130 dB, making it capable of handling moderately loud sound sources without distortion. However, for extremely high SPL situations, other microphone types might be more suitable.

The Rode NTR typically comes with a protective case, a soft pouch, and a plastic clip.

While ribbon elements are delicate, Rode uses a proprietary laser technique to cut the NTR ribbon with smooth edges, increasing its longevity and durability compared to conventionally manufactured ribbons. However, like all ribbon microphones, it should be protected from strong air currents and physical shocks.

Ensure the XLR cable is securely connected to both the microphone and your audio interface. Verify that your preamp is functioning correctly and providing adequate signal. Check if the microphone is positioned correctly for its Figure-8 pickup pattern.

Confirm that your audio interface or mixer has sufficient gain. While the NTR has active electronics, a clean, high-gain preamp will yield the best results. Ensure the active electronics are engaged if your preamp provides phantom power.

Use high-quality, shielded XLR cables. Ensure your audio interface and recording environment have proper grounding. Test with a different preamp to rule out noise from the preamp itself.

Check the Max SPL rating (130 dB). If the sound source is extremely loud and close, you may be overloading the microphone. Try moving the microphone further away or reducing the input gain on your preamp.