Lee Colour Magic Studio Plus - Lee


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Wex Photo Video£40.00Visit shop LEE Filters CMSTUDP - Lighting Filter Set - 12 Pack - 250mm x 300mm
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Best current price£40.00from Wex Photo Video
Shopping.co.uk recommended and popular offers
Wex Photo Video£40.00Visit shop LEE Filters CMSTUDP - Lighting Filter Set - 12 Pack - 250mm x 300mm
Visit shop3 offers from £40.00
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The Lee Colour Magic Studio Plus Pack is designed for photographers and videographers seeking precise control over their lighting. Its key benefit is offering a range of technical gels for fine-tuning light sources, enabling limitless creative possibilities through stacking and custom cutting. A caveat is that these are technical gels, requiring some understanding of color theory and lighting to use effectively for desired effects.
| Brand | Lee |
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Each gel sheet measures 250mm x 300mm (approximately 10" x 12").
The pack includes different densities of CTB (CT Blue) and CTO (CT Orange) gels: 202 Half CT Blue, 203 Quarter CT Blue, 218 Eighth CT Blue, 205 Half CT Orange, 206 Quarter CT Orange, and 223 Eighth CT Orange. There are 2 sheets of each.
Yes, the gels are designed to be stackable, allowing you to combine different colors and densities for unique lighting effects.
Yes, these gels are compatible with LED lights, as well as other professional lighting sources like strobes and continuous lights. Always ensure adequate ventilation and that the heat generated does not exceed the gel's tolerance.
Store them flat in a cool, dry place away from direct sunlight. Handle by the edges to avoid fingerprints and clean gently with a dry, lint-free cloth if necessary.
Absolutely. The 250mm x 300mm size is intended to be cut down for use with various light modifiers and smaller fixtures.
CTB (Color Temperature Blue) gels are used to cool down a light source, making it appear bluer, often to match daylight. CTO (Color Temperature Orange) gels are used to warm up a light source, making it appear more orange, often to match tungsten or sunset light. They are crucial for accurate white balance and creative color grading.
Adjust the density of the gel used (e.g., switch from Half CTB to Quarter CTB) or try stacking different gels to achieve a more nuanced effect. Ensure the gel is placed correctly in front of the light source.
The light source may be too hot for the gel. Ensure adequate distance between the gel and the hot element of the light, or use a lower wattage bulb. Consider using gels specifically designed for higher heat applications if available.
Check for fingerprints or smudges on the gel surface. Ensure you are using gels from the same batch if possible. Verify the light source and camera settings remain constant.
Use a sharp pair of scissors or a precision craft knife on a cutting mat for clean, straight edges. Holding the gel taut while cutting can also help.
Setup: These gels are designed to be cut to size and placed in front of light sources. Use scissors or a craft knife to trim the sheets to fit your specific lighting modifiers (e.g., softboxes, umbrellas, barn doors) or gels frames. They can be safely stacked in front of continuous or strobe light sources, ensuring they are not placed in direct contact with extremely hot bulb elements where melting or fire could occur. Always ensure adequate ventilation around the light source.
Compatibility: The gels are compatible with most professional photographic and video lighting equipment, including strobes, speedlights, continuous lights (LEDs, tungsten, HMI), and other light modifiers that can accommodate a gel sheet. They are designed to withstand the heat generated by typical lighting setups but should not be used with sources that exceed their heat tolerance.
Care: Store the gels flat in a cool, dry place, away from direct sunlight, to prevent damage and color degradation. Handle the gels by the edges to avoid fingerprints, which can affect light transmission. If the gels become dusty, gently wipe them with a soft, dry, lint-free cloth. Avoid using liquid cleaners, as they can damage the coating.